Monday, November 09, 2009

I've Had Better Ideas

At the time, the espresso seemed like a good idea, but by 1AM, sleep was still impossible. One bad idea doesn't necessarily lead to another though. I used the time to think about a science fiction story I wrote for an anthology. It was rejected, but they asked me to think about turning it into a novella. And thought about it, I did. What else was I going to do in the middle of the night?

As I was reading a few writer's blogs today, it seemed that everyone was lamenting unfinished novels. I know how it is. You're so excited about an idea, and the first couple chapters just flow. Then nothing. You lose faith. You fall out of love with your idea. You set it aside and go on to a better idea. And then there you are again, with 40,000 words down, and that novel isn't working either.

The first year I went to Saints and Sinners literary conference, I sat in on a great class led by Jim Grimsley called "The Murk in the Middle of the Novel." Jim talked about how we lose our way in the middle of a story. Novels, he said, were too big to hold in our imagination in one big piece, so we deal with parts. The problem comes when you're over the first part, where characters needed to be fleshed out, the scene set, and the plot put into motion. That's an exciting time. Then we get past that part and can't figure out where to go from there.

Walking away from a novel when you're not sure where to go next isn't always a mistake. Sometimes, we need some distance to be able to see the picture clearly again. While in the National Gallery years ago, I got to the point where I was numb to the art, so I stopped paying attention. I remember thinking that one of the paintings I passed was an ungodly mess. Wanting to get the visit over with, I moved on the next gallery, but my group lagged behind, so I went back to see what was keeping them. And oh my god. That ungodly mess across the gallery was Monet's Waterloo Bridge at Sunset. It was suddenly clear, and nuanced, and beautiful. But only from a distance. Up close, it still looked like swipes of mud.

If I hadn't retraced my steps, I never would have known what I missed. The same holds true for a novel that's stuck in the murk. The problem might not be where you left it, but a chapter or so further back where you took the wrong path. To figure out where you went wrong, you have to know what's right, which means having some destination in mind. Figure out where the story will end - an approximate idea will be enough - and backtrack until you understand where you went wrong.

From that point, you're going to have to be merciless to avoid getting dragged back down into the murk. Jim said every sentence has to have forward momentum. That's advice I always keep in mind throughout the novel, but mostly in the middle. Constant forward motion isn't enough though. Stop focusing on minute brush strokes and take a look at the whole story from enough distance that you can see the whole thing in your mind at the same time. It may not be the ungodly mess you think it is.

Saturday, November 07, 2009

SPANK! A call for submissions

D.L. King is a dear friend. I'm reposting her call for submissions:


Spank!
Edited by D. L. King
To be published by Logical Lust late summer or early fall 2010
Deadline: January 15, 2010
Payment: $25 and a copy of the book in available electronic formats, plus a copy of the print edition, if the book does well enough to go into print.

D. L. King is looking for hot spanking stories.

Sometimes all you need to get hot and bothered is a good bottom warming... Whether getting or giving is your passion, this book is designed to create the same blush on your face as the one found on your bottom after a few good, hard whacks.

What makes for a sexy spanking story? Short, plaid, Catholic schoolgirl skirts? Bent at the waist, a bare bottom with the boxers and pants down around his knees? A stern schoolmarm, or head master, standing in front of a blackboard, holding a rattan cane? A dungeon wall covered with all sorts of paddles, floggers and canes? A scolding? A punishment? A pert bottom settling over charcoal gabardine trousers? A ritualized display of dominance? The crack of a hand coming down on already heated flesh? Send me something guaranteed to make naughty girls and bad boys, the world over, squirm in their seats when they read this book!

I envision this anthology as being primarily heterosexual, but I’ll happily consider GLBT stories, as well. Remember, no underage characters, please. Stories should be between 2,500 and 5,000 words, double-spaced, 12 pt Times New Roman or Courier New. Please indent the first line of each paragraph one-half inch and do not include extra lines between paragraphs. Please make sure your document contains no other pre-set formatting.

Send your story as a .doc (not .docx) attachment and include the title, pseudonym (if applicable) and your legal name and mailing address to spankantho@gmail.com. (If you are unable to send a Word attachment, I will accept an RTF.) Subject line should read: Submission: TITLE. Please include, as a second attachment, a 50 to 75-word bio, along with ways you might help promote the book should your story be accepted for publication. Direct any questions to the same address. Original stories only. You must own all rights to any reprints.

Sunday, November 01, 2009

NaNoWriMo

Today, a hush fell over the writing world as many writers plunged into writing bootcamp. It's NaNoWriMo - National Novel Writing Month. People register somewhere (I've never bothered to look up the specifics) and on November 1st, plunge into a writing frenzy. The goal, I suppose, is a finished first draft of a novel or about 50,000 words (which isn't a complete novel).

I know that some writers post their daily work to livejournal, and I assume it's done other places. Again, I haven't cared enough to check it out. They read the work of other writers (if they have time), cheer on progress, and lament their low daily word counts. As the month wears on, many drop out. Few finish. What's the point? Bragging rights, comradeship in an otherwise solitary pursuit, and rarely something that can be polished into a submittable novel.

Is this lunacy? It may sound like it, but there are many reasons to do it. The main reason people drop out is that it's hard to write every day, and you almost have to to meet the word count. But for as long as they are participating, they're developing the habit of sitting down to write every day. Butt in seat is the only cure for writer's block.

Can a person write a good novel in a month? People who have done this before hit the ground running. They don't open a word document on November first and wonder what they're going to write. They've outlined, formally or informally, their plot. They know their characters. Technically, this is all writing, but for NaNoWriMo purposes, only typing words counts, so it's not cheating. I think if you have a background in journalism, you're much more likely to write a high quality first draft. But quality isn't the point here. Quantity is. For writers who sabotage their efforts by insisting on a perfect first draft, NoNoWriMo may be hellish, but it may also teach them to embrace the concept of the sucky first draft. So good is a tricky concept here. Can you write a well-edited novel with no continuity problems in a month? Probably not. But you might just be able to toss down something you can work with later - a good first draft (which may also be a sucky first draft). The point here is to cross the finish line. Many people start novels. Few finish them.

Even though I think it's a good idea, I don't see ever participating in NaNoWriMo. It's tempting. Discussion on all the writer's lists I follow drop away, or center on NaNoWriMo progress. I feel sometimes as if I'm missing out on a rite of passage. But thirty days from now it will all be over, and the writing world will be back to normal. Until then, if you're participating, good luck. Have fun.

Sunday, October 18, 2009

Ryan, April, Shy, and all Washington State Residents

I'm talking directly to you. This is important. Please vote Yes on Referendum 71.


This is why.


It's easier to do nothing than to do what's right, but every vote counts. Your vote matters. Your voice matters. If you don't vote yes, you're saying what these people did, and hundreds of people do every day to gay couples, is okay.

Tuesday, October 13, 2009

Erotica Fail

I read a lot of erotica. Sometimes, it's wonderful. Occasionally, it's dull. And then there's the truly dreadful stuff. TDS makes me grumpy, and since I'm suffering through an anthology full of it, I'm going to vent.

People write erotica for many reasons. Many write their personal fantasies. Those stories have a sense of urgency and raw lust that I love. But if you're writing for publication, please follow a few simple rules.

1) Read a lot of erotica. That way, you'll be aware of the cliched plots. The one that's driving me nuts right now is the old "man/woman picks up a stranger for hot sex, but in the end, the stranger ends up being his/her wife/husband" plot. It's not a clever twist. It's stupid. Worse, it's unoriginal stupid.

2) Misogyny isn't sexy. That includes women writers hating on other women. Quit showing women as gossiping, jealous, hateful biddies. It does nothing for your story, and it doesn't make your character fascinating by comparison.

3) Dudes - women generally do not get turned on by feeling up their own breasts. Women do that in porn because their hands are standing in for the viewer's hands. In real life, women do not go around groping themselves. It's not the same feeling as stroking your cock.

4) About 50% of the population in erotica have flashing emerald eyes. In real life, no one does. Knock it the fuck off.

5) Have you ever worn stockings for a romantic evening out on the town? There's a reason pantyhose were invented. About the time the salad is served at that dimly lit romantic restaurant, the garter is digging into the back of your thigh. The reason you're squirming through the main course isn't because of your wet panties or his fascinating discussion. It's because you're trying to figure out how to move the garter without hiking up your skirt to your waist. After you go powder your nose, AKA go to the bathroom and move the damn garters (when you also realize that the bulk of the garter belt below your waist makes you look like you added ten pounds of belly weight), you realize that the pressure mark from the garter feels as if your skin has been sliced open. Then you go back to the table and sit down, which is like rubbing salt into that cut from the garter. Sexy? Not exactly. God help you if you're headed to the theater after dinner. No wonder women in stockings peel off their clothes so quickly.

6) If you're writing a fetish piece, then please, lovingly describe the piece of clothing that inspires the fetish, but spend more time talking about how the character reacts to it. Otherwise, the full back story about how she went shopping with her bff and bought the sexy little dress and push up bra that cost too much and really she shouldn't have, but she has no spine and her bff dared her to so she couldn't say no has no place in your story. So give us all a break and back off the fashion report. It's how your character feels that's important, not the color of the panties.

7) If you have to tell readers that your character is sexy, you haven't written a sexy character.


8) Does you character have amnesia? No? Then why the hell does she have to spend two paragraphs in front of a mirror describing what she sees to herself? Doesn't she know she has flashing emerald eyes? Does she need to remind herself? Does she need to verify it by looking in a mirror? "Why yes, I do indeed have flashing emerald eyes." No doubt she's going to spend a third paragraph describing that push up bra her bff made her buy. I'll be skimming by that point, as will many of your readers. Soon, I will fling the book.

9) No real live human being says, "I feel vulnerable." Few even think those words.

10) Anyone who lets a complete stranger tie them up without telling friends where they're going - at a minimum, a chaperon is better - is an idiot and deserves to be featured on the ten o'clock news after the police find the body.


I feel so much better having ranted. Now on to the second story...

Sunday, October 11, 2009

The Flesh is Willing, But the Bank Account is Weak

I missed Gaylaxicon this weekend. I've wanted to go for several years, but simply can't afford the time off, or the hotel bills. I'd also love to go WisCon, and LitQuake (which was also this weekend), YaoiCon, ComicCon, and several others.

The problem with science fiction cons is that I'm a bit intimidated by the hardcore fans out there who can recite chapter and verse from Farscape universe and Alan Moore graphic novels. I've never been able to immerse myself in anything to that point. There are millions of fascinating worlds. I'd rather gaze at a thousand of them through a telescope than at a drop of water from one world through a microscope. Or you could say that while I recognize fandom as a social construct, I've passed by too many drunk boys wearing fetish offworld military gear in hotel hallways having heart-to-heart talks at three in the morning to find it enchanting. Plus, I truly hate that horrified gasp when I admit that I haven't read any of James Tiptree's short stories. Or know the name of the planet Ripley was on in Aliens 3. Or are familiar with the other works by the director of Ghost in the Shell. But I'll admit I truly enjoyed the Klingon wedding I attended. Didn't understand a word of it (being the only person in the room not fluent in Klingon), but still had a blast. (Word of advice: Blood Ale stains your gums for a couple days, so sip at the toasts, don't guzzle.)

I'm in search of an Erotica writers conference though. I've worked with several groups interest in starting one, but no one has been able to mesh visions enough to get one going. If you've heard of one, let me know. For that, I'll make the bank account submit to my will.

Friday, September 11, 2009

I've Been Bad

I meant to post something last weekend, but I have a great excuse. I was writing. (Yay!) Vampires (boo!) again (sigh)

I may be the only person in the world who truly doesn't get the whole vampire thing. Considering how easy it is to turn my mind to naughty thoughts, you'd think I'd find something to like about them. There's the whole savage beast thing, the angst, and of course, the costumes! Even without finding them sexy, you'd think my intellectual side would get into the whole vampire as a metaphor for just about everything, with a soupcon of Freudian analysis. But no.

So of course, after I rewrote a vampire short, and produced a new one for an anthology, I was ready to take a break from the bloodsuckers for a while and write something that got my pulse fluttering. But then I was blindsided by a vampire novella that sprung fully formed from my skull like Athena, only with fangs.

I knocked out over 20,000 words last weekend. That's unprecedented output for me. I'm usually a slow writer.

So if I hate vampires, why do I write them? You're so cute. But I'll tell you a horrible truth: if you want to eventually become a professional writer, you have to write what sells. Vampires sell. So I blame the public. And I hope to god their fascination switches to something else soon. Just, you know, please no fairies. I may be a writer whore, but I have limits.